skull ringing the
neighbour’s plumbing casquette
on first name terms
with a jar of mint (needs
water) kitchen
basilica-- Pilgrim
take up thy staff along
the borders la fenêtre
is not the window
a fly is
crawling up, slipjigs
on deux pattes
among the con-
densation-beads, running
liquide et mosaïque
--------------------------
soft poplars fervour thinking not
so much of what John
Riley wrote as the tone &
junction of
those
interiors’ alter
-ations to a chord going west tonight
some high cirrus above the trees if
I recall it was a documentary, a Greek
statue from the sea off Alexandria in
Helicarnassus’ rubbles we
address
identities (but
dis-
trust this
it
was
the light
I
meant the mid-
earth,
risen
Mediterranean
brink & queer
fish-ink
smell of the leaves
shuffling
that came so quick to
mind
it seemed like rain …
---------------------
gracious as the vines have these
last few days turned brick & cream
cracker brown, what’s fixed
upon the screen’s the spit of Stan
Laurel in an early talking film
banging his head against the autumn’s
ceiling, and failing, to hymn the human
being as much as its apostrophe
-------------------------
“ …but
it wouldn’t take you long
to learn all those old songs” she
sd in her wheelchair oh you
must know Le
petit vin blanc tapping
her ear to
show where the sounds were
still
whirled
leaf-scraps took to the streets a fake
autumn burning in the skin of august
worn thin old
world three
months on from a war …
------------------------------------
A plan to light the city’s streets with fish
clogs up the works back there where it came from
a wedding with, far off, Edith Piaf’s tones, she’d
know
how to give a textured finish to the voice.
They wandered lonely then as if by choice
& only later did someone who I didn’t know
explain that 4 days after death a herring forms
slow phosphorescences in its silenced flesh.
--------------------------------